TRIBUTE TO GI\u00d2 POMODORO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tDialoghi continui
\n\u201cubi materia ibi geometria\u201d\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tFrom 28th November to 8th December 2025 <\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Exhibition<\/h2>
The exhibition is intended as a tribute and recognition to an artist and teacher who found friends and fruitful collaborations in Ravenna. The plates (sheets produced during his lessons) are a testament to Gi\u00f2 Pomodoro's uncompromising approach to the transmission of knowledge. Teaching and art are linked by a culture of design. Clear methodologies and rigorous planning, research as a stimulus to new techniques and materials: marble, gold, bronze, and more, without neglecting less noble materials like paper, glue, and cement.<\/p>
Nature is a fundamental element of study, governed by opposites: light and shadow, earth and air, fire and water are elements that support the project, where reason, in the form of Cartesian axes, creates form.<\/p>
The exhibition features educational \"thematic plates\" produced by Gi\u00f2 Pomodoro during his lessons in Applied Arts at the Academy of Fine Arts in Ravenna.<\/p>
The plates are complemented by research by Franca Minardi, Maria Luisa Niero, and Paolo Racagni.<\/p>
Their research took place primarily in Mondavio, a town in the province of Pesaro-Urbino, where architect Francesco di Giorgio Martini built the fortress between 1482 and 1492, commissioned by Duke Giovanni della Rovere.<\/p>
Their tools were graphic and photographic surveys of \"movements of space and the relationships between full and empty spaces,\" intertwined and correlated with the passage of time and with man, the measure of all things.<\/p>
Contemplating and reflecting on the places where we live. Exalting the social function of art, from the common form of natural things to the tools of work, through walking surfaces to work surfaces, to rediscover the essence of things, their feelings.<\/p>
\u00a0<\/p>
<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t
Dialoghi continui
\n\u201cubi materia ibi geometria\u201d\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tFrom 28th November to 8th December 2025 <\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t\t\t\t\tThe Exhibition<\/h2>
The exhibition is intended as a tribute and recognition to an artist and teacher who found friends and fruitful collaborations in Ravenna. The plates (sheets produced during his lessons) are a testament to Gi\u00f2 Pomodoro's uncompromising approach to the transmission of knowledge. Teaching and art are linked by a culture of design. Clear methodologies and rigorous planning, research as a stimulus to new techniques and materials: marble, gold, bronze, and more, without neglecting less noble materials like paper, glue, and cement.<\/p>
Nature is a fundamental element of study, governed by opposites: light and shadow, earth and air, fire and water are elements that support the project, where reason, in the form of Cartesian axes, creates form.<\/p>
The exhibition features educational \"thematic plates\" produced by Gi\u00f2 Pomodoro during his lessons in Applied Arts at the Academy of Fine Arts in Ravenna.<\/p>
The plates are complemented by research by Franca Minardi, Maria Luisa Niero, and Paolo Racagni.<\/p>
Their research took place primarily in Mondavio, a town in the province of Pesaro-Urbino, where architect Francesco di Giorgio Martini built the fortress between 1482 and 1492, commissioned by Duke Giovanni della Rovere.<\/p>
Their tools were graphic and photographic surveys of \"movements of space and the relationships between full and empty spaces,\" intertwined and correlated with the passage of time and with man, the measure of all things.<\/p>
Contemplating and reflecting on the places where we live. Exalting the social function of art, from the common form of natural things to the tools of work, through walking surfaces to work surfaces, to rediscover the essence of things, their feelings.<\/p>
\u00a0<\/p>
<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t
From 28th November to 8th December 2025 <\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
The Exhibition<\/h2>
The exhibition is intended as a tribute and recognition to an artist and teacher who found friends and fruitful collaborations in Ravenna. The plates (sheets produced during his lessons) are a testament to Gi\u00f2 Pomodoro's uncompromising approach to the transmission of knowledge. Teaching and art are linked by a culture of design. Clear methodologies and rigorous planning, research as a stimulus to new techniques and materials: marble, gold, bronze, and more, without neglecting less noble materials like paper, glue, and cement.<\/p>
Nature is a fundamental element of study, governed by opposites: light and shadow, earth and air, fire and water are elements that support the project, where reason, in the form of Cartesian axes, creates form.<\/p>
The exhibition features educational \"thematic plates\" produced by Gi\u00f2 Pomodoro during his lessons in Applied Arts at the Academy of Fine Arts in Ravenna.<\/p>
The plates are complemented by research by Franca Minardi, Maria Luisa Niero, and Paolo Racagni.<\/p>
Their research took place primarily in Mondavio, a town in the province of Pesaro-Urbino, where architect Francesco di Giorgio Martini built the fortress between 1482 and 1492, commissioned by Duke Giovanni della Rovere.<\/p>
Their tools were graphic and photographic surveys of \"movements of space and the relationships between full and empty spaces,\" intertwined and correlated with the passage of time and with man, the measure of all things.<\/p>
Contemplating and reflecting on the places where we live. Exalting the social function of art, from the common form of natural things to the tools of work, through walking surfaces to work surfaces, to rediscover the essence of things, their feelings.<\/p>
\u00a0<\/p>
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